Coming Soon: The Valentino Garavani Virtual Museum

Next month, Valentino will open his archives to the world. Using 3D technology, the Valentino Garavani Virtual Musuem — found at Valentino-Garavani-Archives.org — catalogs over 300 dresses from Garavani's five decade-long career, including Julia Roberts's Oscar dress and the couture dress Jackie Kennedy wore to wed Aristotle Onassis.

The site, which officially launches Dec. 5, will also feature over 5,000 images and 95 fashion show videos. Giancarlo Giammetti, Garavani's longtime business partner, explains of the site's content: “Animated galleries show a life’s work, and key dresses have been photographed in 360 degrees. Click on them and they revolve to show every line and stitch. Click again and discover the history of the dress, who wore it where and when, see it in the amazing campaigns that we created for the collections in the late 1960s, 1970s, '80s, '90s . . . move through to other spaces leading off the sunlit courtyards under the Roman sky to new galleries full of photographs of friends, models, drawings, animations, videos.”

Garavani adds of the project: “I see it as part of my legacy. I am happy that thousands of students, young designers and fashion people will be able to see and study my work in every aspect of it, and in a manner easy and accessible for the younger generations. But it is also important to remember things of the past, to review the fashion that has shaped our lives. I would call it ‘Future Memory.’”

Diving for McQueen

Diving for McQueen on Nowness.com.

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Fashion Critic Cathy Horyn Enters the Folds of Sarah Burton's Spring 2012 McQueen Collection

The New York Times fashion critic Cathy Horyn meets Alexander McQueen Creative Director Sarah Burton at the label’s Paris atelier to explore the house’s intricate, marine-inspired Spring/Summer 2012 collection in Dustin Lynn’s stunning portrait film. Displaying a love and knowledge of fashion far beyond the catwalk, Horyn’s notorious studio visits define her style as a journalist, producing lyrical portraits of designers truly dedicated to the rigor of cutting and creating clothes. Before becoming head of the fashion house, Burton worked as McQueen’s right hand for 14 years. “With Sarah, it has a lot to do with the training she has had at McQueen, and just knowing what the McQueen studio had been like under Lee,” says Horyn of Burton’s qualification for the job. “It was always a place where it was about the technique and craft.” After the turmoil following McQueen's tragic suicide last year, the provocative label has returned stronger than ever with sumptuously beautiful collections, the record-breaking Alexander McQueen: Savage Beauty retrospective at the Metropolitan Museum of Art's Costume Institute attracting over 650,000 visitors, and Burton designing the Duchess of Cambridge’s much-lauded gown for the royal wedding.


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